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In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

Jens and I share a long tango history – and love for neo tango music – he became a regular DJ at Nou Charlottenburg in 2007, and while my DJ career faded he keeps spreading his tunes.

#08 JENS STULLER (Berlin)

1. Why do you go to a Milonga?
For having a nice dancing connection with a new or already known dancing partner.

2. In short, what are the three most important factors for a good Milonga?
Good and enough dancing partners, energetic music that I love, good dancefloor in a nice surrounding.

3. How do you define „good Milonga“?
If there is a nice flow on the dancefloor where everyone is integrated and partners are changed.

4. In short, what are the three things that you do not want to experience at a Milonga?
A dancing partner explaining me, what or how I have to lead, an elbow in my back and not respecting other couples space, not getting a connection to the dancing partner.

5. How do you choose who you dance with at a Milonga?
Very spontaneously. Eye contact and nodding or asking to dance after smalltalk. I’m often asked by followers and nearly never reject.

6. What are your thoughts on open role dancing at a Milonga?
I love open role dancing, because it leaves more room for creativity.

7. Do you have a most beautiful memory of a Milonga?
Yes, very long ago in old Tangoloft between 2 and 4pm, when there were only about ten couples left. I felt a wonderful connection with my dancing partner, the music and the other couples.

8. How do you see your role at a Milonga?
Having fun and spreading fun.

Jens dances Tango since 1996, both roles since 2011, and inspires dancers as a tango dj since 2005.

In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

#07 NOELIA TOMASSI (Berlin)

1. Why do you go to a Milonga?

To meet friends and potential friends, to sing, to dance, to experience my culture and share it with interesting people and feel less “far from home”.

2. In short, what are the three most important factors for a good Milonga?
Open minded people in their best and/or authentic mood, good music -best if live- the possibility to buy something to snack.

3. How do you define „good Milonga“?
A good milonga is the one that you know beforehand you will have a nice evening.

4. In short, what are the three things that you do not want to experience at a Milonga?
Gossip, bad music, drunk/smelly/exhibitionist/acrobatic dancers.

5. How do you choose who you dance with at a Milonga?
I generally accept cabeceos from nice looking (the ones that give the impression of being good people, I don’t care of physical except too tall) men or women who can lead. If I have a good experience, I repeat. I also look at the faces of the followers dancing with them. If they smile, I go for those leaders.

6. What are your thoughts on open role dancing at a Milonga?
Way to go. (As long as they move forward and not backwards in the ronda!)

7. Do you have a most beautiful memory of a Milonga?
Many of them… it’s difficult to choose. I love dancing to big live orchestras, mostly when friends are playing or conducting.

8. How do you see your role at a Milonga?
I like to think I am a kind of tango preacher or ambassador apprentice, who’s dedicated to learn and teach at the same time, knowing she will never finish learning.

*) Who are you and what drives you?
I’m a tango interpret and I feel driven by music and arts in general.

Where is your Tango Homebase?
Berlin – Buenos Aires – Paris. In that order.

Visit Noelia Tomassi’a Website.

In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

#06 VAN HAI NGUYEN (Vietnam)

1. Why do you go to a Milonga?

If you had asked me this question back in my Berlin days, I would have said that I love the social aspect of a Milonga. But it’s also the hope—the hope that the next Milonga will bring back that magical feeling you once experienced while dancing.

Since moving to Da Nang, Vietnam, my motivation has changed. The Tango community here is small, and every single dancer who shows up makes a difference. More often than not, I have to push myself to go to a Milonga, just to help fill the room with one more dancer.

2. In short, what are the three most important factors for a good Milonga?
– a varied selection of music. I tend to prefer melodic Tangos
– friendly dancers—they don’t have to be great, just pleasant to dance with
– some snacks to nibble on between dances

3. How do you define „good Milonga“?
About ten years ago, I was lucky enough to attend a Milonga at Villa Kreuzberg. A DJ from Buenos Aires was playing. His music was different from what most DJs in Berlin played. But what truly stood out was the way he introduced each Tanda—it created such a festive atmosphere that swept me away.
I don’t necessarily have to dance well myself. Sometimes, it’s enough just to watch great dancers, to be inspired by them.

4. In short, what are the three things that you do not want to experience at a Milonga?
– dancers with bad manners
– music that just drifts along without energy
– physical altercations

5. How do you choose who you dance with at a Milonga?
Being a technically good dancer isn’t the most important thing for me. What matters more is whether I find someone likable and whether she is genuinely curious to dance with me.

6. What are your thoughts on open role dancing at a Milonga?
I rarely dance as a follower, but when I do, it’s mainly to experience Tango from a different technical perspective and perhaps to become more aware of my own weaknesses as a leader.

7. Do you have a special memory of a Milonga that you want to share?
The “Kottbuser Tor Hit & Run Milonga” that you organized—this must have been twelve years ago. With an absolutely phenomenal live orchestra! I still rave about it, and I’ve told the story countless times here in Vietnam.

8. How do you see your role at a Milonga?
To support the Tango community here in Da Nang, my hometown since five years.

*) Who are you and what drives you?
In 2010, I moved to Berlin after quitting what I once thought was my dream job. It wasn’t the life I had envisioned for myself. Little did I know that Tango, which I discovered in Berlin, would have such a profoundly positive impact on my life.

In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

#05 SHARNA FABIANO (Los Angeles)

1. Why do you go to a Milonga?

To enjoy the company of friends (and sometimes strangers!) through a connected and creative experience of dancing tango together, and also to chat and to watch others dance.

2. In short, what are the three most important factors for a good Milonga?
– a physical environment designed to feel both relaxing and magical – this can be the physical structure itself, the way the furniture, lighting and other temporary features are arranged, or some combination of the two.
– intentional and skillful musical selection
– the collective focus of those attending is leaning toward generous and open to connecting with others.

3. How do you define „good Milonga“?
Nowadays, afternoon milongas are my favorites! Beyond that, a good milonga is one in which the above three conditions synchronize to open a liminal space apart from everyday life. This allows me the opportunity to shed stress and worry and return to a more authentic state of being in a community setting. There are so few places where that is possible in our world and I think it’s one of the greatest gifts of social dance. It’s not the same to relax at home by yourself or with your family. That can also be healing IF your home is a nourishing place, but it doesn’t offer the same “refresh” of your system that the community setting does.

4. In short, what are the three things that you do not want to experience at a Milonga?
– Physical or psychological harassment, abuse, or manipulation
– Negative criticism of self or others
– Excessive heat – I don’t like sweaty social dancing, just a picky personal preference

5. How do you choose who you dance with at a Milonga?
I dance so little nowadays that it is almost always a pre-arranged outing with a group of friends, and I dance mostly with those people. If an old tango friend or colleague I haven’t seen in many years appears unexpectedly, that’s a special thrill for me and I would prioritize dancing with that person. Beyond those cases, I look for partners who 1. have a minimum threshold of skill level such that I’m certain we will both be physically comfortable and 2. seem to have interest in me at the same time I have interest in them. If a stranger invites me and I feel a clear internal YES or internal NO, I try to follow that intuition either way.

6. What are your thoughts on open role dancing at a Milonga?
Yes, of course open role dancing. Dancing roles, like other roles, are not biologically determined – they’re socially determined. If we believe in social equality in life and work then I don’t see why we would not encourage social equality on the dance floor. I was incredibly lucky in that I learned both roles from the very beginning, and I’d like everyone to feel free to choose or change their role as they wish. I don’t like switching roles in the middle of a song, though. I like to dance the whole song in one role. That’s just my personal preference.

7. Do you have a most beautiful memory of a Milonga?
Instead of a memory I’ll share a vision: After many years of tango retirement, I’ve started teaching again and have found an incredible venue to partner with in my city. I imagine a new tango community evolving organically, and ultimately hosting a beautiful milonga there.

8. How do you see your role at a Milonga?
I’ve played every formal role imaginable at a milonga, but right now I’m enjoying being anonymous, just a dancer. That said, I do feel I have a role to play in bringing a positive mindset and a positive somatic state of being into the space. I think everyone has that role and it’s easy to forget that you influence the environment even if you’re not an organizer or a teacher. In the words of Priya Parker, “guesting” is just as important as “hosting.”

*) Who are you and what drives you?
I’m fascinated with improvisation in all art forms and in all relationships, and I believe lead and follow dynamics are at the heart of everything humans do, feel, and are. I am a tango artist and movement specialist with 25 years of teaching experience and a Master’s degree in Dance. I’m also a mindfulness-based coach, a painter, and a writer. I love trees, throw great dinner parties, and read fantasy novels.

https://www.sharnafabiano.com/

In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

#04 YANICK WYLER (Zürich)

1. Why do you go to a Milonga?
To find, explore and share my tango of the moment and to enjoy dancing in a group setting.

2. In short, what are the three most important factors for a good Milonga?
A good DJ, an inspired DJ, a knowledgeable DJ.

3. How do you define „good Milonga“?
Internally: when i feel present and satisfied and usually happy with where I am. Externally: quality of music, sound, people, floor, bar, air, space.

4. In short, what are the three things that you do not want to experience at a Milonga?
Monotony, politics, aggression.

5. How do you choose who you dance with at a Milonga?
Experience, curiosity, spontaneity.

6. What are your thoughts on open role dancing at a Milonga?
No problem, no limitations, no obligation.

7. Do you have a most beautiful memory of a Milonga?
… when many years ago I was dancing in La Viruta with a friend and made a little boleo atras, kicked one of those flimsy plastic garden style tables which went airborne including three or four full glasses, showering a half dozen of innocent bystanders in a smelly sprinkle of Quilmes beer. (This also answers question nr 4)

8. How do you see your role at a Milonga?
Be true to the moment and to myself, be nice but fun, take some risk but with respect, be alive and thankful, be open and grateful, be inspired and sharing, get a couple of drinks at the bar … some times it works better than others.

*) Who are you and what drives you?
Coming from a small Swiss mountain village, after diving into filming super eight movies, hip hop, street dance, industrial design, carpentery I spent half of my life within the Tango community, learning, teaching, exchanging ideas and developing this dance. I know that I am just one piece of the mosaic that keeps building and creating this dance. My heart and focus is in the art and truth of human creativity and interaction.

In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

#03 Gabriela Dumitrescu (Berlin)

1. Why do you go to a Milonga?
Mainly to dance, but also to drink a glass of wine, see friends and listen to good music. And to have fun, and enjoy myself.

2. In short, what are the three most important factors for a good Milonga?
A good DJ, good dancers and a good dance floor.

3. How do you define „good Milonga“?
A relaxed and happy atmosphere with a DJ that keeps me wanting to dance and of course enough dancers to dance with.

4. In short, what are the three things that you do not want to experience at a Milonga?
A chaotic dance floor, an overcrowded space, bad music.

5. How do you choose who you dance with at a Milonga?
That depends on many different things like mood, the general atmosphere, the particular Tanda, how much or how little I‘ve already danced. For example, dancing Milonga with someone I‘ve never danced with before, is a risk I very rarely take.

6. What are your thoughts on open role dancing at a Milonga?
I love it!

7. Do you have a most beautiful memory of a Milonga?
Too many to list here.

8. How do you see your role at a Milonga?
I try to give whoever I dance with a pleasurable experience, dancing to the best of my abilities. Other than that, I have the best time that I can have, hoping to inspire people by being in a good mood.

*) Who are you and what drives you?
dancer, choreographer, artist – in search of beauty and truth

Foto: Katharina Buccarello

In dieser kleinen informellen Umfrage werden die verschiedenen individuellen Perspektiven des „Milonga-Raums“ beleuchtet. Da nicht alle der Befragten Deutsch sprechen werden die Fragen auf englisch gestellt.

#02 Joscha Engel (Wien)

1. Why do you go to a Milonga?
To meet friends, socialise and enjoy and share my emotions through embraces within the music.

2. In short, what are the three most important factors for a good Milonga?
Welcoming atmosphere, inviting organiser.
A safe space where I can choose to mingle or withdraw.
Respectful and open people.

3. How do you define „good Milonga“?
Subjective: A good Milonga is the one where I can lose myself and find myself anew. I go home filled with emotions, inspired by the encounters I had.

4. In short, what are the three things that you do not want to experience at a Milonga?
One sided interactions.
Feeling to be pushed into a role I don’t want to have.
Verbal, emotional or physical abuse.

5. How do you choose who you dance with at a Milonga?
I choose to share a dance with a friend, with someone who’s body language is inviting or with a dancer I know I can enjoy the mutual interaction.

6. What are your thoughts on open role dancing at a Milonga?
What does it mean? Humans with humans is beautiful when being respectful.

7. Do you have a most beautiful memory of a Milonga?
I remember la Viruta in Buenos Aires one night. I danced only a tanda in the beginning but was inspired by the intense music and so many different ways to move and dance. Inspired by beautiful people. And then I got invited by a dancer I didn’t notice before and enjoyed my last tanda to the fullest. I left at 5:30, emotionally fulfilled and physically exhausted but with a lot of energy and beautiful memories.

8. How do you see your role at a Milonga?
Everyone contributes to the Milonga with their presence. I sometimes wish I would be more anonymous as some people expect something from me, that I can’t always give. But I’m aware and always try to bring my honest state of being into the Milonga… it can be anything when coming from a genuine place.

*) Who are you and what drives you?
Professional dancer, performer, teacher. With my partner, Sayaka Higuchi, I try to understand and develop tango further from the perspective of an honest mutual encounter – an emotional conversation through body language.

Ich habe ein kleines Projekt, das ich im Jahr 2025 durchführen möchte. Eine kleine informelle Umfrage. Um die verschiedenen individuellen Perspektiven des „Milonga-Raums“ zu beleuchten, den ich als einen mythischen Raum wahrnehme. In Gesprächen, die ich führe, vermischen sich oft individuelle Gedanken und Vorlieben mit Forderungen, Ansprüchen und Aussagen darüber, was eine Milonga „ist“. Ohne der Tatsache Raum zu geben, dass die Milonga von uns allen gestaltet wird und somit mehr „ist“ als das, was ich bin.
Da nicht alle der Befragten Deutsch sprechen stelle ich die Fragen auf englisch. Voraussichtlich erscheint ein Interview pro Woche.

#01 Sonja Zivanovic (Belgrad)

1. Why do you go to a Milonga?
There are 2 main reasons: To dance and to meet friends.

2. In short, what are the three most important factors for a good Milonga?
Good music, nice crowd and enough air.

3. How do you define „good Milonga“?
A place that makes people forget about everything else

4. In short, what are the three things that you do not want to experience at a Milonga?
No air, bad music and no one to dance with.

5. How do you choose who you dance with at a Milonga?
There is no one answer to this question.
It can be a friend, with whom I want to share a dance, too.
Or a good dancer, with whom I can enjoy to the fullest the dance itself.
Sometimes a person with whom I can not have dancing pleasure, but I want to support him/her on his/her tango journey.

6. What are your thoughts on open role dancing at a Milonga?
I don’t even understand why it should be a topic at all. I mean, why would anyone care who is dancing with whom?

7. Do you have a most beautiful memory of a Milonga?
Not really. After being in Tango for almost 20 years, it became impossible to have “one most beautiful memory”

8. How do you see your role at a Milonga?
Lately I prefer not to have any “role” at the milonga, apart from having a good time for myself. Since 2008, I’ve been developing a tango community in Belgrade, very passionately and with full devotion. In this period of time I have organized numerous milongas. After 17 years of having an “important” role at milongas, taking care of everyone in the room, I feel need some time taking care “only” about myself. But often I find not easy switching off that “good host” button.

*) Who are you and what drives you?
I think I am still searching for this answer myself 🙂
Facts wise: Woman, professional actress, milonguera, tango teacher, tango DJ, since 2008 owner and CEO of Instituto Tango Natural, owner&organizer of Belgrade Tango Encuentro festival&marathon, Bratislava Tango Festival (Slovakia), Summer Tango Camp Kolašin-Montenegro, Belgrade Summer Tango Marathon, Belgrade New Year’s Tango Marathon, Belgrade Tango Weekends.

Photo: Petar Pavlov

Vom 1. Juli bis zum 30. August haben wir wieder ein besonderes Programm für Dich zusammengestellt. Wir überraschen Dich mit Abwechslung und Durchmischung, womit wir das Gewohnte etwas ändern, und mit viel frischen Ideen und neuen Begegnungsmöglichkeiten versehen. Das Wesentlichen fassen wir hier für Dich zusammen.

Von Montag bis Freitag haben wir dasselbe Kursprogramm. Damit wollen wir Deinen Sommer so einfach wie möglich machen. So weisst Du immer ohne nachzudenken was Du wann bei uns bekommst:

18:00 – 19:15 Uhr Basiskurs Singles (1 Lehrer:in)
18:00 – 19:15 Uhr Mittelstufenkurs Singles (2 Lehrende)
19:30 – 20:45 Uhr Praktika alle Niveaus Paare (1/2/3 Lehrende)

Alle Kurse sind drop-in = Du kannst immer einfach kommen und mittanzen.
Sowohl im Basis-, als auch im Mittelstufe-Niveau, nehmen alle als Single teil = alle tanzen mit allen, wir regen Rollenwechsel an. (Tipp: in der Dir ungewohnten Rolle zu tanzen ist eine hervorragende Gelegenheit im direkten Erleben zu verstehen, worauf es bei Deiner Technik ankommt.) 
Die Praktika ist für Paare, alle nehmen daran auf ihrem Tanzniveau teil.
(Tipp: die B+M Kurse sind wundervolle Gelegenheiten Tanzpartner:innen zu treffen.)
Die Lehrenden geben in der Praktika Themen vor und gehen auf jedes Paar individuell ein. Die Themen sind so gestaltet, dass Du auf deinem Niveau dazu lernen und tanzen kannst. In der Praktika unterrichten bis 6 Teilnehmende 1 Lehrer:in, ab 8 Teilnehmenden 2 Lehrernde, bei 20 Teilnehmenden 3 Lehrende.

Mit dem Sommerprogramm hast Du die neue Möglichkeit über eine Fördermitgliedschaft in unserem neu gegründeten Verein ‘Nou Community Berlin e.V.’ von besonderen Konditionen zu profitieren. Der Mitgliedsbeitrag beträgt 90€/Jahr, oder 50€/6 Monate. Als Fördermitglied kannst du Deine Sommerkarte bargeldlos buchen. 4 Wochen kosten 160€, 9 Wochen kosten 300€, der Eintritt zur Freitags Milonga ist in dem Preis enthalten. Du kannst selbstverständlich weiter wie gewohnt Einzel, Mehrfach, Flatrate Karten bei uns vor Ort in bar zu diesen Preisen kaufen.

Last but not least, wer an welchen Tagen unterrichtet siehst Du wie gewohnt in unserem Kalender. (Tipp: in unserem Kalender kannst Du die Tage und Wochen auswählen, an denen Du bei uns tanzen möchtest. So kannst Du auch weit im voraus planen.)

Bei Fragen melde Dich bei uns. Wir freuen uns auf sehr viele schöne, sommerliche Momente mit Dir.

Mit dem Gefühl alles sei möglich, habe ich im April 2004 das erste Nou in Charlottenburg eröffnet. Wenn ich heute zurückblicke, scheint mir, als wäre diese Zeit unglaublich frei gewesen. Wir haben einfach gemacht, was uns in den Sinn gekommen ist. Und so stelle ich mir die naive Frage: Wie würdest Du heute deine Tangoschule gestalten? Welche Visionen, Wünsche, Ideen und Träume verbindest Du mit allem, was sich um deinen Tango dreht?

Die Welt ist komplexer geworden. Facebook, Instagram & Co. gab es vor 20 Jahren noch nicht. Auch keine schnellen, günstigen Reisen. Deren Einfluss auf die Art, wie wir Tango heute erleben, ist sehr groß. Ist das Fluch oder Segen? Die Antwort darauf fällt sicher sehr unterschiedlich aus. Ebenso individuell ist die persönliche Haltung zu Themen, die dich interessieren und die dir wichtig sind. Was ist ein ideales Milonga-Setting? In welcher Atmosphäre möchtest Du lernen? Wie sieht es mit der Gleichberechtigung von Folgenden und Führenden aus? Fühlst Du dich sicher, wenn Du tanzen gehst? Bist Du glücklich, wenn Du beim Einschlafen an die Begegnungen und Tandas denkst, die Du am Abend erlebt hast?

Auch wenn Du keine eigene Milonga gründest, keine Tangoschule eröffnest oder gar ein neues Festival veranstaltest, bist Du als Teil der Szene Mitgestalter:in unserer sozialen Kultur und hast Einfluss auf diese Fragen. Du hast Möglichkeiten, dich zu engagieren. Unsere Szene ist so gut, wie wir sie zusammen leben. Wenn Du ein aktiver Teil davon bist, kannst Du mitgestalten, wie sich Tango in Berlin in den kommenden Jahren entwickelt.

Ich würde mich sehr freuen, von Dir zu hören, was Du dazu denkst. Schreib mir und lass uns in einen Austausch dazu kommen, wie wir uns die kommenden zehn Jahre Tango in Berlin vorstellen und wünschen. Zu den sich hieraus ergebenden Gesprächen und Gedanken schreibe ich etwas im nächsten Newsletter-Blog.